Seen/Heard/Read

Labyrinth Quotes to Unsettle Annoying People

Just a bit of studying to remember these and take your pick! Or maybe you already know the movie by heart? Predictably, many gems will come from Jareth, the one and only goblin king. Quotes listed in no particular order.  Extra points if your delivery includes accents, voices, voice switches if it’s a dialogue and tunes if it’s a lyric.

“Sarah, beware. I have been generous up ’til now. I can be cruel.” Substitute Sarah’s name with whichever you need in the moment.

“How you turn my world, you precious thing.”

“What’s said is said.” – “But, I didn’t mean it.” – “Oh, you didn’t?”

“Ha ha ha… well? laugh!”

“I thought they did nice things, like… Like granting wishes.” Substitute “they” with “you”.

“That’s not it! Where did she get that rubbish? It doesn’t even start with “I wish!” ” Substitute “she” with “you”.

“SMELL BAD!”

“What’s the matter, my dear, don’t you like your toys?”

“You have no power over me!”

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Seen/Heard/Read

Monday Diary: Rise Up Lights and Beauty and the Beast Trailer

Seriously, just try this, and see if you can ever stop thinking about this phrase in a new light (feeble pun!):

As shared on Girl Gone International Facebook

As shared on Girl Gone International Facebook

I first whispered and then just said this out loud to myself, and it works! Burning questions follow this entertaining linguistic trick. Do British people have an easier time switching to “razor blades” in their mind as soon as they hear themselves speak because of their accents? Do American accents still work nonetheless? Do various Aussie accents unwittingly get imitated as a result? If so, are they existing accents? Do we unconsciously try to Australian-ize our pronounciation (without really being able to, except after several episodes of McCleod’s Daughters in my case) as soon as we attempt to rise up lights? And most importantly: what will happen if an Australian simply says “rise up lights”? Life’s profound mysteries.

The internet was not done with us today, nor is it ever. A momentous event has taken place and I’m still fanning myself from excitement. Uploaded seven hours ago as of the time this is being typed and with close to half a million views already, I add my own click(s) to the official full-length movie trailer of Disney’s upcoming live-action version of the animated classic Beauty and the Beast. As soon as I hear those first piano bars from the opening track, despite having heard them thousands of times before, I’m gone.

If the teaser trailer already had me in pieces, this further gem makes me wriggle like an over-excited child and think, “OH MY GOD, this is real!” I can only hope that we will not be disappointed by the movie after the mood both trailers have successfully harnessed, and that Belle didn’t drop that candelabra after her first glimpse of the Beast. If there is one thing I’m certain of, it’s that I can’t imagine anyone other than Emma Watson playing our book-loving, plucky, dreaming heroine in this version.

“I want adventure in the great wide somewhere/ I want it more than I can tell…”

It was a Monday of joyful, thought-provoking discoveries, and with all this talk of the supermoon, which I currently can’t see because of foggy Hamburg conditions, I’m in a witchy mood and will look up scenes with Piper Halliwell from Charmed on YouTube.

 

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More Beauty and the Beast

The French movie directed by Christophe Gans and released in 2014, that is. I remember the Disney animated classic practically by heart, and yes, of course I will watch it again, and again, and again. This version grabbed my curiousity and it coincided nicely with the reignited enthuasiasm for all things Beauty and all things Beast after the teaser trailer for the upcoming Disney live-action film came out.

So, first thing’s first, it’s very different from the Disney interpretation, as it should be. While the story is scary enough, touching on plenty of serious topics if you stop to think about it, this movie was still darker and sometimes gloomier than I expected. There are, of course, familiar sights – an overgrown, dank, forgotten castle. A sense of impending menace before we really know who or what lives there, which transfers from Belle.

It was much harder to relate to the Beast in this adaptation, and however hard I tried to tell myself he was “real”, with “flaws”, the character had some very unattractive qualities indeed, not to mention a very serious sin on his hands. I was constantly scared he would tear Belle to bits, even when she started falling for him. And that’s the crucial point of dissatisfaction with the movie for me, unfortunately. How Belle starts to open her heart to the Beast skipped my understanding. One moment she is resisting his attentions, even while steadfastly accepting her fate, the next all she wants is to remain with him forever, it is her “only wish”. OK, so he did redeem himself by saving her life, and he doesn’t hide who he is from her. Love is all-powerful etc etc.

Nope, still can’t convince myself.

But the cinematography and costumes are stunning. While Belle’s dresses are somewhat too opulent for all that running around she does, the design is amazing.

There are still many ways to tell stories, including well-known and long-established fairy tales, which is heartening and inspiring. The enduring fascination with this particular genre seems to be showing itself in a myriad of new interpretations in entertainment and culture, and I am constantly watching to see what else will come, how characters we have known forever will find their way in to creative projects.

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Disney’s Beauty and the Beast with Gifs

Gifs, gifs, gifs, glorious gifs! Yes, it has been almost a week since the teaser trailer for Disney’s 2017 live-action remake of Beauty and the Beast dropped and fans everywhere have been exploding with giddiness ever since.

I could watch the trailer again, and I have. Then the ever-reliable giphy.com provided some lovely gifs from the teaser trailer. They help fill the time while waiting for this movie to hit theaters (2017 is still a bit far-off, after all) and provide some extra fodder for an extended analysis of that which we see before us. Let’s begin. In the order of appearance:

castle 1

“And all who lived there.” Yes, Disney, we know it’s you, nice work there tying in the usual opening castle and logo scene with the story. I still can’t stop remembering Hogwarts in the winter time when I see this. But it’s nice to already get a view of the whole castle, or at least its front facade. That’s a lot of towers.

castle

A circular room with what looks like a domed ceiling, sunlight shining through the windows and illuminating the most likely crystal parts of numerous festive chandeliers waiting for their moment. Gold, white, grey, maybe light-blue dominate what we can see of the interior here and a sleeping piano stands alone. Could this be the ballroom, and if yes, could the iconic dance scene accompanied by Mrs. Potts singing Tale as Old as Time take place here? Dimensions are a bit hard to tell, but judging by the number of chandeliers in this take alone and the several windows, the room must stretch on beyond what we can see. Of course, maybe it’s just the morning room or something like this, where the prince used to play piano regularly in his happier, selfish days, but then he stopped, and it’s been gathering dust ever since, until Belle came along, and as they start to thaw towards each other, they sit down at the piano together and he plays her a long-forgotten tune… My imagination is clearly more than fired up.

castle2

The entrance? The front hall? What Belle sees first as she sets foot inside this forsaken castle? Brown leaves flutter in through the open double doors. Swirling patterns on the powder-blue or white floor echo the curving gold and white molding on the walls. Brown and cobwebs continue on the upper level, though it’s obvious the castle is beautiful (with a good scrub or just some magic once everything is alright again this will actually be visible) and the interiors, while glamourous and speaking of nobility, also have something understated about them, stopping short of being gaudy or ostentatious.

castle3

More gold, and more candles, so many candles! This breathes a bit of Phantom of the Opera and the Phantom’s underground lair, Music of the Night etc. Luckily the castle is actually on the surface of the Earth and Belle is not descending in to the dwellings of an obsessive and murderous dude with a traumatic past and complicated history. She is entering the dwellings of an angry and lonely dude with an as yet unknown past and complicated history. She just doesn’t know what awaits her at all. But there are lots of scrolls here, and a desk, so maybe the people living here used to be interested in things and active in their pursuits.

portrait

A hint about the maybe once happy family who used to live here. We see more gold and curved lines, though the walls and interior around the portrait seem to have absorbed the oft present darkness and stillness that now inhabit the castle. Unlike the room above, a stronger sense of heaviness is apparent, accentuated by the weighty and slightly tattered curtain on the right of the painting. However, candles still burn in their high gold holders, giving sufficient light, because this corner is clearly visited regularly and provokes repeated strong feelings, judging by that make-you-jump growling slash across the canvas. Of course the green-blue eyes and blonde hair of the boy in the center of the portrait are immediately reminiscent of both the animanted prince’s and Dan Stevens’ own luminous peepers…

rose

“It’s a girl!” – “I know it’s a girl!”- “She’s the one, the one we have been waiting for! She has come to break the spell!” What a gorgeous shot. The rose is, of course, perfect, the so far only thing among the preceding interior views that looks truly alive and well. We can tell that Belle is wearing blue, and a ring on the pinky of her right hand – wondering if there’s any story behind that one. Well done, Disney, making fans wriggle some more. Emma Watson bends down and tentatively reaches out a hand towards the rose. Her lovely visage becomes focused, while the rose blurs, but successfully blocks almost half her face as she is level with it. The perfect blend of the known and the mysterious.

But at least we are already invited. My RSVP is ticked off the list.

guest

 

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Beauty and the Beast Teaser Trailer

“For who could ever learn to love a beast?”

As far as I’m concerned, the feverish anticipation phase of waiting for Disney’s further upcoming live-action remake of well-known and well-watched animated classic Beauty and the Beast has officially begun. And it began for me the moment I read yesterday that the teaser trailer for the movie was out. A glimpse it is, but oh, what a glimpse!

As far as teaser trailers go, it is gorgeous. A hint of stunning, sweeping cinematography, and doesn’t that castle in the beginning, with the snow swirling around it, remind you just a bit of scenes with Hogwarts in the winter time in the Harry Potter films? I don’t mind at all. And then the sounds from the piano keys one knows so well from the opening score of the soundtrack begin to weave around the images, and my heart almost skips a beat. Such a illuminating blend of the sure-to-come drama, the sadness in the sleeping grandeur of the castle and Belle’s mix of curiousity and caution as she steps inside.

Nothing will ever be the same!

To say I’m looking forward to this is an understatement. To say I’m wildly curious myself doesn’t begin to describe my feelings. One thing is for sure – Emma Watson is one of her generation’s best actresses to portray a young woman with “her nose stuck in a book”, and she is certainly well on her way to creating memorable film portrayals of iconic characters. She can also hold her own with acting based on material that has won millions of fans the world over and continues to endure through time. Playing Hermione, and now Belle, is more than enough pressure. But Hermione is firmly established as a character in her own right, and I hope the same will be true for this new Belle. Emma Watson’s own attentiveness and intelligence will hopefully contribute in the best way to put her own stamp on Belle, yet keep the essential qualities which make Belle who she is.

Remembering Dan Steven’s piercing blue eyes and wonderful diction in Downton Abbey, I also have high hopes for the Beast, aka Prince Adam.

To be released in spring 2017…

 

 

 

 

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