On The Street Where You Live by Mary Higgins Clark

The first entry was dated, September 7, 1891. It began with the words “Madeline is dead by my hand.”

Now doesn’t that chilling quote just make you immediately want to pick up the book? On The Street Where You Live is yet another masterpiece by Mary Higgins Clark and one of my favourite novels among all that I’ve read so far.

Similar to Remember Me, this book also contains an impressive amount of historical research from life in the state of New Jersey in the late nineteenth century, specifically a real town called Spring Lake, which exists to this day and retains many of the features that make you understand particular descriptions in the novel. Coastal, charming, attractive, based on a quick YouTube search it does look like the kind of place that combines a restful retreat with the possibility of hidden stories from the past just waiting to be discovered.

After my virtual stroll, I can picture vividly what it felt like for the novel’s protagonist, criminal defense attorney Emily Graham, to walk the streets of Spring Lake as it gradually moved towards summer, as well as her reactions and admiraton of buildings and houses in the town. Houses play a particular role in On The Street Where You Live, as in several other of Mary Higgins Clark’s books. A house, a home, is a smaller world unto itself, and Emily enters one when she repurchases a house that belonged to the family of one of her ancestors who mysteriously vanished in 1891. Yep, that ancestor was the very Madeline mentioned in that cold-blooded note at the beginning of the novel.

We, the readers, learn of Madeline’s fate before Emily does, and wait with baited breath until Emily herself starts searching for the truth as she makes increasingly frightening connections about not only Madeline’s murder, but the disappearance of other young women, both from the past and the present…

Worlds within worlds spring up cunningly in this confection of a suspense thriller. On one hand present-day Spring Lake emerges as Emily is coming to know it, on the other the ghost of the town from the 1890s is constantly moving parallel to us, becoming more visible through the book within a book Emily is reading to get aquainted with the past and try reconstructing the chain of events that led to Madeline’s disappearance and death. It is eerie, but in a delightfully addictive way, how 1890s Spring Lake becomes almost as alive for the reader as Emily’s Spring Lake. The insistent, almost mystical idea that past and present are imminent of colliding in some way is successfully rooted in our minds by the author and doesn’t let go until the very last words of the book.

Last but not least, the diary of a serial killer, while not overdone, is a disturbing world of its own as well. In fact, the results of writing are represented prominently in On The Street Where You Live, and this is done in contrasting ways. There’s the factual reporting in newspaper articles from the past, the dark aforementioned secrets written down for posterity with perverse dilligence and the nostalgic, absorbing memoirs from a girlhood spent in Spring Lake in the 1890s. The fascination and power that the printed word can evoke is displayed within a novel that in itself is a testament to both.

 

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Siren

Well, this is certainly attention-grabbing. While mermaids have long since been part of popular culture across the world and enjoyed regular depiction in various interpretations in literature, TV and film, it looks like the momentum is gaining with the upcoming 2018 addition of a new TV show. But unlike the bright colours and sunny summery vibe of the popular Australian teen show H2O: Just Add Water, Siren aims at dark, mysterious and even scary.

The setting for the show is a fishing town, Bristol Cove, with some dark history as far as mermaids are concerned. We can expect a case of the past not staying hidden, however long ago that past took place, and erupting in all sorts of hair-raising ways. Mysterious new arrival in the form of an unusual-looking young woman, a town rooted in murder and all that thrashing in the water we see in the trailer – it’s not mythical, it’s real! “What would it take for you to believe me?”

 

 

 

 

Moonlight Becomes You by Mary Higgins Clark

“This is my child! I didn’t give birth to her, of course, but that’s totally unimportant.”

That’s one of the passages that stayed with me ever since I read Moonlight Becomes You by the great Mary Higgins Clark for the first time, a book that went on to become one of my favourite works of fiction.

Maggie Holloway, a successful photographer from New York City, goes with a date to his family reunion party. While the date quickly leaves her to her own devices after arriving, entirely by chance, Maggie runs in to her former stepmother, Nuala Moore. The closeness the two women had shared in the past, some twenty years ago, when Nuala was married to Maggie’s now deceased father, is immediately rekindled as Nuala recognizes “her child”, and the two piece together the circumstances that lead to them falling out of touch. The themes of family, always present in Clark’s novels, as well as family ties forming outside of blood connections, are opened as Nuala embraces Maggie and the two look forward to once again being a part of each other’s lives.

Sadly, the mutual happiness of the two women is cut short. Shortly after meeting, Nuala is murdered.

In pure genre tradition and with Clark’s unmatched skill for threading suspense like beads on a wire that becomes more taut with each page-turn, Maggie makes the decision to follow the trail of troubling questions filling her mind and becomes embroiled in the search for Nuala’s murderer.

The terrifying opening of the novel, almost suffocating in its depiction, grips readers, and grips them hard, not letting go. A classic, tested tactic, yet despite being a first-class whodunit, as all of Clark’s novels are, there is so much more to this book than just the finely executed components of a classy suspense thriller.

Maggie is a creative, sensitive, resourceful and independent heroine, whose own personal history unfolds throughout the book, giving the reader insight in to the reasons for her decisions, desires and actions with Clark’s trademark empathy and non-preaching descriptions. Anyone who has experienced the joy of being creative, the irresistible pull of molding the ideas in your head in to something tangible, will relate to Maggie’s literal molding of clay as she tries to make sense of the weight on her mind and in her heart.

Then there’s Neil Stephens, one of the love interests. Despite being successful, independent, well-raised and having a wonderful relationship with his parents, Neil apparently has some romantic involvement issues. These issues influence not only his treatment of women, but also, ultimately, their treatment of him, something he runs up against with Maggie. While Neil is never disrespectful, rude or uncaring towards his dates, Clark once again manages to examine an ever-present societal development. While Neil’s parents are proud of him, and their happiness when they see their son leaps off the page, they don’t pull any punches. Clark lends voice to Neil’s sympathetic mother, who hits the nail on the head in a conversation which is not necessarily entirely about marriage, but in the context of the first-time romantic brooding Neil is going through, she couldn’t have put it better.

“You know, Neil, a lot of the smart, successful young men of your generation who didn’t marry in their twenties decided they could play the field indefinitely. And some of them will – they really don’t want to get involved. But some of them also never seem to know when to grow up.”

Add the clearly meticulous research of a chilling historical topic and the lovely seaside city of Newport, Rhode Island, and you’ve got yourself a book I was (re-)reading slower on purpose. Moonlight Becomes You is another memorable masterpiece I will be coming back to again and again.

Lost Girls by Lindsey Stirling

Lost Girls is the first track on Lindsey Stirling’s latest album Brave Enough. It opens with tentative, probing notes that make one think of slow drops of melting ice or ripples on the surface of a quiet lake. And then, like most of the tracks on the album, it surprises you with the change of pace as you become absorbed in the story Lindsey is telling.

The story is of coming back from fear and loss. But not just that. Lindsey explains it herself in more detail, saying that the focus of the song and the video’s visualization is on what happens after recovery, the courage it takes to stay on the hard-won path. Lost Girls brilliantly picks up where Shatter Me from Lindsey’s sophmore album Beyond the Veil left off. It’s thrilling to see that the story can be further pursued, and thankfully in this case the sequel concept works flawlessly, building up on the solid base of the prequel and at the same time yet again drawing the viewer in to an immersive new world – trademark Stirling.

Fans will recognize some of the dancers from her recent tours, though they are transformed so convincingly thanks to costumes and make-up, that the creatures they are playing seem almost real, as well as terrifying. At the center of it all is, of course, Lindsey’s wide-eyed, but no longer helpless ballerina, lost and found again.

 

Beauty and the Beast: 5 Reasons Why I Loved Seeing It 5 Times

Minor spoiler alerts

…and enjoyed my visit to the movies every time as if it was the first. How does that work? It’s simply the mark of a very good film and excellent work from all those involved.

So what is it about this dazzling success of a live-action remake that’s got me enchanted?

  1. They kept the goosebump-inducing, heartstring-tugging, sweeping opening theme that takes us right in to the Beast’s castle and that “hidden heart of France”, and we never look back.

2. Casting Emma Watson as Belle was sheer genius, and she delivers in such a way that her Belle simultaneously takes the best from the original Disney story and becomes a fleshed-out, complete and winning heroine in this version. I cannot imagine any other actress in this role. The door of Belle and Maurice’s house opening on a morning in Villeneuve, as Belle steps out and launches in to Little Town was, for me, one of the many wonderful moments in the film. Oh yes, and there’s the fact of all that other brilliant casting – luminous Dan Stevens and all he gives to the Beast, Emma Thompson lovingly recreates Mrs. Potts, Kevin Kline conveys a father’s love with depth and dignity and Luke Evans brings all of Gaston’s brutal sociopathic tendencies to life.

3. All that bibliophilia, educated quoting  and reading of literary works while walking together on gorgeous castle grounds (or watching over a temperamental Beast as he convalesces), the joy that seems to light Belle up from inside when she first steps inside the castle’s mind-blowing library is indispensable in conveying one of the main messages in Beauty and the Beast – the transformative power of knowledge, stories and feeding the mind.

4. Belle’s face standing in front of an enchanted book as the Beast tells her, “Think of the one thing that you’ve always wanted. Now find it in your mind’s eye, and feel it in your heart…” shows in one look the burning longing and sadness that still exists within her, apart from wanting “adventure in the great wide somewhere”, the “one story Papa could never bring himself to tell.” In addition to disclosing a tragic secret and helping Belle move on in her life, the whole sequence was beautifully acted and significant in developing Belle and Beast’s trust in one another (after the magnitude of saving each other’s lives, of course). This part also containes another new musical bit sung by Emma Watson, and her voice perfectly carries both sadness and tenderness.

Easy to remember

Harder to move on

Knowing that the Paris of my childhood

Is gone

5. Well, it would be strange if I didn’t mention Tale as Old as Time here, wouldn’t it? No further words necessary.

Bittersweet and strange

Finding you can change

Learning you were wrong

The Waterfire Saga by Jennifer Donnelly

Magic depended on so many things – the depth of one’s gift, experience, dedication, the position of the moon, the rhythm of the tides, the proximity of whales. It didn’t settle until one was fully grown; Serafina knew that. But she needed it to be with her now, and she prayed to the gods that it would be.

Taking a deep breath, she pulled on everything strong and sure inside of her, and started to sing.

Whales? Well, why not, it’s all explained in The Waterfire Saga, an absorbing four-book YA fantasy series about…mermaids. My exploration of the YA genre continues, and after some searching for something else about mermaids, I stumbled on Deep Blue, Rogue Wave, Dark Tide and Sea Spell. Serafina, Neela, Becca, Ava, Ling and Astrid are thrown together by adversity and destiny, and while a mission of global proportions awaits our heroines, discoveries about life, love and friendship are plentiful along the way. The usual, but always interesting components of the genre.

Clear-cut language and a lot of drawing from the richness of world history, folklore and linguistics make this an appealing read to all of us who had literature courses during our studies. We recognize origins of names, titles, countries, and the additional logic behind this is clearly presented in the novels. While these layers and background often rooted in humanities make the reading experience all the more enjoyable for those of us outside the target audience, they do not overload the reading process for a younger reader. I remember my reading times from a younger age very clearly and I am sure I would have enjoyed this series just as much as I did now, albeit with different accompanying thoughts.

Each heroine lives, breathes and swims right off the page and in to my imagination, going through identity struggles and the pains of self-discovery. The appeal of the series also lies in the fact that the end goal of this particular story, while dealing with romance, themes of home and family, longing, wanting more than what life turns out to be, does not revolve around the mermaids wanting to escape their world. In fact, not only is the warmth and energy of their patriotism palpable, so is the respect and focus with which the author includes descriptions of the seas and its creatures. This warmth and empathy extend to the depiction of one of the central themes of the novels – the strength of friendships.

How could she explain to them what her swashbuckler clothes meant to her? When she looked at them, she didn’t see frays and tears, she saw Sera and Ling eating stew in Lena’s kitchen after Ling had almost been captured by Rafe Mfeme. She saw Becca and Ava in the River Olt, fighting off the rusalka. She saw fierce Astrid battling Abbadon in the Incantarium with only her sword.

And she saw herself – being braver and stronger than she’d ever thought she could be.

The Waterfire Saga shows mermaids who are self-aware, intelligent, vulnerable, loyal and resilient. They are relatable, and if a younger friend or relative of mine was reading this series, I would not be worried about the ideas they might be getting.

Becca was not only good at making things, she was good at making things better. Life in foster homes had taught her that if she waited for someone else to make things better, she’d be waiting a very long time.

Well plotted, well written, well researched and probably created with a lot of enjoyment.

 

 

 

Remember Me by Mary Higgins Clark

Menley had always wanted to live in a house. As a little girl she drew pictures of the one she would have someday. And it was pretty much like this place, she thought.

Mary Higgins Clark has been my favorite writer for so long and I have re-read all her books so many times that I can’t remember which of her numerous suspense novels I read first. This is a rare case for me. But it doesn’t really matter, because each of her works takes me on a trip to yet another world that always yields a new discovery even if I’ve been there before. It’s like taking your favorite long walk, and knowing for sure that it’s never truly the same, for all its familiarity. As we grow, as we change, as we learn, so do the literary works that accompany us in life find their way in to the crevices of our evolvement. And so do we identify anew with characters, situations, language and actions. That is the mark of a great author.

The tried and tested, yet irresistible plot formula of a heroine beset by tragedy and struggling to find her way out, while being pulled in to a murder mystery, is, of course, present here too. And it’s not just the main heroine – plenty of characters in the novel carry burdens with them. For some these burdens lead to disastrous life choices, for some they lead to battles of resistance and self-discovery. Mary Higgins Clark’s characteristic empathy and sincerity permeates Remember Me like a warm breeze without being cloying. Serious subject matter is handled with grace and dignity – a refreshing trait. While the topics of murder and death are not presented in a graphic way, as compared to most Scandinavian thrillers, for example, the just right balance of words and description is enough to send a chill down your spine, as well as evoke the feelings of sadness characters are going through.

The next summer they’d lost Bobby. And after that, Menley thought, all I knew was the awful numbness, the feeling of being detached from every other human being…

Mary Higgins Clark has the unique gift of seamless, unburdened prose, which by no means make it simple, but lets it hit right at the heart of the story and the characters’ thoughts.

Though each of her novels is special in its own way, Remember Me stands out for particular reasons. The novel draws the reader in to the story within the story, the writing within the writing, as Menley Nichols herself is getting more and more drawn in to the research of the history of the house she and her family are staying in during their summer in Cape Cod. The feeling of something about to come to a head grows stronger and stronger throughout the novel, as we wonder along with Menley whether the alleged murderer is innocent, if her heart will heal after loosing her first child, and just how deep her connection to the centuries-old story of the former owners of the house is.

Suspense, no other word for it. And first-class writing about life.