Seen/Heard/Read

Dying for You by Otto Knows (feat. Lindsey Stirling and Alex Aris)

Somebody told me you had given up on your smile

Plenty of very satisfying reviews have been written about this fantastic track, and after listening to it on repeat for a week, I thought I’d contribute my own review of the music video. In my humble, non music critic style.

The excitement I feel every time a new musical release involving Lindsey Stirling comes out is addictive. This video delivers and once again shows that she is a performer to be reckoned with. The fact that she is an instrumental artist, as well as her masterful grasp of numerous genres and unique interpretation with her violin music make it possible to integrate her playing in practically any collaboration. At the same time, she not only showcases herself, but compliments the artists she works with on a given project, bringing out the best in all those involved. Different talent coming together requires good choosing, and happily it looks like “Dying for You” is a result of just that.

A pianist plays inside what looks like a roomy, abandoned church or cathedral, while Alex Aris begins to sing the story, not with hopelessness, but with mounting force. To me you don’t have to keep hiding away who you are/ Remember how we said together we would go far. It could be a love story, it could be about friendship – the lyrics seem comfortingly suitable to multiple interpretations.

When all you have is doubt, know that I’m around/ I will be dying for you, dying for you.

And then Lindsey appears, gathering power with her violin. In those scenes where we don’t see her, we hear her, always, as soon as she starts playing. It’s like straining for something familiar that’s reaching your ears from a distance, and then bam, recognition, this is it! She plays, and oh boy, it’s an explosive, terrifically executed speedy violin frenzy.

The color and light scheme of the music video play up the expected associations with “dying” in the track title – black, grey, beige, brown, switching between what might be a cloudy day outside to darkness, in which Lindsey’s auburn braids dance like flames around her pale, chiselled face while she does her signature twirling.

The theme of an impending mini-apocalypse surrounds the visual aesthetic of the video, but rather than drag the viewer down, it adds a note of raw reality, as well as making you think of destruction clearing the way for creation, like a forest being naturally reborn after a fire.

I will be dying to hear this one again for a long time.

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Thoughts

Ten Things You Can’t Help Doing While Standing in Line

Looking at the back of the heads of the two people in front of you and wondering what they would say if they knew what the backs of their heads looked like. Most likely they wouldn’t be impressed either.

Wondering what the back of your own head looks like.

Making eye contact and then wishing you hadn’t.

Noticing the rack of somewhat ugly congratulatory cards near you and trying to decide which one to get if this was the only place you could ever buy cards from.

Getting an itch.

Scratching the itch (getting creative, depending on where the itch is located).

Reliving the embarassing encounter with your former university professor over and over again in your mind. Wondering why that particular stumbling block of a word had to come back as you crossed paths after five years.

Staring at random things like the scarf of the lady in front of you or the stuffed animal in the hands of the kid beside her (stop staring!).

Listening to snatches of conversation that are fascinating only in this point of time and space: “No, it didn’t fit me, but I just pulled it over my stomach as best as I could”, “That dude over there is so ugly”, “People are such pigs“, “Dad, Mom is better at shopping than you are”.

Feeling an elated sense of accomplishment when the wait is OVER.

 

 

 

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Seen/Heard/Read

Maleficent – Not Just Another Villain Movie

This beautiful discovery turned out to be a movie I can watch again and again, so here are a few things that I especially like about it.

While heavily based on the character of Maleficent from Disney’s animated classic Sleeping Beauty (especially in terms of looks and diction), who is an evil, jealous figure through and through, one doesn’t permanently remember that fact. Instead, combined with respectful, measured contributions from the original, a fully-fledged, individual character emerges in Angelina Jolie’s portrayal. This is not just another backstory of a famous villain supported by the “she’s actually good” plotline. She branches off from the animated Maleficent without seeming like a spin-off.

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We feel her pain, oh, we feel it, and we cry with her! We’re horrified. Just give the fairy her damn wings back! For all the trauma, it’s one of the best scenes in the movie, showing the bond of flight to Maleficent’s identity.

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Despite this horrible attack, she did not let herself be crippled by it. Instead, she became fetchingly badass (though you are secretly hoping she won’t get murderous urges, since this is a new movie, and there must be some other point to this story then the character giving in to the dark side). She also somehow easily got really cool make-up and a whole outfit made out of black leather – mais oui. And the raven, don’t forget the raven.

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She still retained her sense of humour, playing tricks on the bumbling fairies looking after Aurora, instead of frying them all.

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And finally, what I like most – she stands up and soars (impressively shattering some glass in the process).

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Thoughts

How to Make International Guests Uncomfortable at a Party

Or any other social function.

If they have a foreign-sounding name, but say they are from/ live in the town of the country you are currently in, insist on repeatedly asking “Yes, but where are you from originally?” Keep doing this until they start looking confused or find an excuse to move away.

Tell them about your former teacher/ classmate/ neighbor/ the shopkeeper next door who was from there and the strange things they used to do that you “just couldn’t understand”. Then look expectantly at the guest, signalling the need for an explanation.

Insist that they must know some dish or food from their native country, even if they have already denied this knowledge several times.

If they are actually from somewhere else, contradict them about their country in front of everyone. “I went to this two-hour seminar three years ago, and what you say isn’t correct!”

Start a heated monologue about said country’s politics, trying to make it a dialogue. This one is always a winner.

Refuse to accept they don’t like the alcoholic beverage every single member of the population (children excluded) of said country supposedly drinks. Harp on about this for a while and declare it “unbelievable”.

Tell them they can go mingle “over there” with the other people from said country.

Ask them how to pronounce certain words in their language which you think you know and then stubbornly don’t get it.

Ask them how come they know the language of the country they currently live in, even after they said they studied in current country.

Name one person you know, or just pick a name, supposedly from the native country, and ask your guest if they know this person.

Voila, mission accomplished.

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My Travel

Berlin in a Day

Most of the things you will hear about Berlin are probably true. “Arm, aber sexy” – “Poor, but sexy” (the slightly shortened quote from former mayor Klaus Wowereit). I’d say sometimes poor, sometimes sexy. A big city, a wide city, a city with a feeling of space. Contrasts meet, world-famous landmarks stand with new construction sites towering behind them. Single S- and U-Bahn subway stops sometimes being as big as a central train station. The immediately recognizable Plattenbau, popping up between streets, or filling entire districts. And, of course, the ubiquitious, uniquely local Currywurst. I think the sight of another commuter contentedly munching on the latter was what cemented my feeling that I was, indeed, once again visiting the German capital. As he carefully and methodically speared the sausage pieces on a tiny wooden pick and dipped them in the curry sauce, I thought once again that this snack alone was already a prime example of the melting pot of experiences that Berlin is.

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“Do you like it?” is a question which is always a little difficult for me to answer about Berlin, because the word that I primarily associate with the city is interesting, and also because I have only been to several districts so far on short trips. But together these glimpses gradually come together to form an impression of a place which is an epitome of being distinctively eclectic. “Berlin is so diverse” is what you will hear from a lot of people.

One day in Berlin needs a plan, and the plan included the classic stops, many of which are an excellent starting point for getting a feel for the city’s character, not to mention its exciting, arresting history.

The morning began with a trip on the S-Bahn from the district of Charlottenburg to the Ostbahnhof station, a day ticket in hand for the zones A and B, covering the city transportation range. The train moved completely above ground, already an opportunity for some passing views of massively graffitied walls, the aforementioned Plattenbau and modern, gleaming shopping centers. Sometimes the train passed so close to a building that occupants could have reached out of their windows and shaken our hands, if we were moving slower. Once at the Ostbahnhof, I looked at the exit signs and picked one solely based on intuition, relying on memories from an earlier trip to steer me once I was outside. And they did (who needs Google Maps). If you walk out of the station and see the bridge with the S-Bahn track in the distance to your right, you just need to head in that direction. Some 15 minutes later you emerge among a mix of concrete, bricks and the enormous front facade of the Ostbahnhof. And ahead of you stretches the East Side Gallery.

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I actually learned about this significant item on any Berlin tourist’s list fairly recently from a friend, and I’m glad I did. The 1,316 meter long expanse of history is perfect for enthusiastic snapping and a long, satisfying walk. The biggest open air art gallery in the world spans like a bridge between the Ostbahnhof and the impressive Oberbaumbrücke at the end of the stroll. It’s also free. The landmarked gallery had wire fences blocking several works of art this weekend. Unfortunately, despite firm warnings, paintings in the gallery still get scribbled on and sprayed. Nethertheless, the eye-catching creations on the remains of the Berlin wall from 118 artists are a magnet for anyone visiting the city, pulling you in to an atmosphere that is both heavily reminiscent and ringing with the present.

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Back to the Ostbahnhof, snapping some more pictures along the way, and in to the train to Alexanderplatz, ganz klassisch. Everything else that’s firstly famous about Berlin is centered around that massive transportation knot. The TV tower is a convenient focus point for reassurance if you need to retrace steps, and basically, wherever you walk, you will end up where you want to be. My main interest this time was finding an opportunity to both explore something and hopefully get a view of the city from way up high, and I got to do just that. Actually, there are several good ways to do this on or near Alexanderplatz, so take your pick. One of them is the Berliner Dom, or the Berlin Cathedral.

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The cathedral is stately, gorgeous, very large and slightly unexpected (even if you know about it) after a morning spent at the East Side Gallery. It’s also a kind of relief – I have a weakness for cathedral architecture, and my hankering is intensified by the fact that Hamburg, unfortunately, doesn’t have one. The Berliner Dom can be satisfyingly viewed from all sides, after which one does want to go in. This weekend it was surprisingly uncrowded, with a conveniently placed ticket machine speeding up the process of getting inside. Initial scepticism about the admission price was quickly wiped out. I spent an hour climbing everywhere I could, and had I not needed some fresh air to digest the multitude of impressions, I would have probably stayed in there longer. Inside, the cathedral is magnificent, beautifully kept and restored, with the domed ceiling immediately claiming one’s attention.

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The cathedral was completed in 1905, but later suffered colossal damage during the Second World War. The main hall was opened for mass again in the mid nineties. A good amount of staircases lead upward from the entry level through the rest of the cathedral. Everything is sensibly labeled to ensure correct exploration procedures, though this doesn’t stop me from gravitating towards KEIN ZUTRITT and hearing a polite, “Nein” from staff. Note – when you find yourself on a landing by two signs, one saying Crypt, and the other pointing up, go up first. The crypt contains some 90 coffins and is, of course, also very interesting (though sad and at times scary). But the (technically) only way out of it leads towards an exit, which leads outside and thus eliminates you entering the cathedral again. I just quietly scampered back up the way I came.

One of the most exciting parts of the journey inside the Dom starts further up, with signs eagerly announcing the walk to the dome. They also constantly warn about the trip being physically taxing. Broader staircases give way to narrow metal ones which spiral underneath low ceilings and alternate with horizontal stretches of wooded floor along the inside of the dome. Excitement mounts, and just when you wonder how much longer this will go on, 270 steps later you emerge outside, with one of the most breathtaking views of Berlin you could hope for. Everything comes together, melding with the impressions from the cathedral, and the TV tower in the distance once again confirms that uniquely local feeling of past and present always existing side by side. One with an unseen, but intense energy, the other in-your-face and urgent.

These romantic musings were brought to a halt when confronted with the practicalities of going back downstairs. To put it as bluntly as I can, visitors of a more corpulent stature might find themselves in a difficult position (pun unavoidable), as in more than one place along the dome the space between wall and railing is only slightly wider than the average ruler. What would happen, I wondered randomly, slightly horrified at the image in my head, if someone got stuck? Yes, the Berlin Cathedral definitely leaves a lasting impression.

Tumbling back outside in to the sunlight was slightly strange, but then again, that too felt natural, as it all seemed part and parcel of the experience. The sight of the Brandenburger Tor at the end of the tour fittingly capped off this one day of rambling around Berlin, as I bought a typical postcard and slipped again in to the S-Bahn.

 

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