Ballet Workout Number Four

I’m already on number four? Unbelievable!

I forgot my towel, but hey, this isn’t a sweaty workout, so I’m sure I’ll be fine. It’s about stretching and poise, right?

Within 10 minutes I’m eating my words. The leg raising exercises seem more complicated this time around, especially when I’m on my knees, trying to maintain elegant positions of everything that’s not in the air while coordinating that which is. The angles to which our trainer can bend herself are mind-blowing. And she talks at the same time, while I try, again, to breathe in and out correctly, and not giggle from slight nerves.

“Other way,” she says suddenly. I would have jumped, being startled, but I can’t, because I’m on my back. One leg is bent at the knee, the other is stretched out behind me, and I’m supposed to reach around my side with one arm and try to touch the (almost) straight leg. “The other way,” our trainer repeats. I start awkwardly rearranging my legs, trying to look like I do this on a daily basis. “No, no, your legs are in the correct position, it’s your head, your head, look the other way!” OH.

Just the evening before, my friend and I had been talking about how nice it was that you could get used to things in the class without being watched or called out (I have no problem with instructions, I’m just attached to my own headspace for a while before I can process them properly). But since we are markedly fewer participants today, we are there to see and be seen.

And seen we are. Details emerge, like how to hold your elbows during the warm-up arm wavy arm movements I like to do so much. It’s easier to distinguish ourselves in the mirror and therefore we’re more in sync as Tchaikovsky plays in the background. We’re our own little ballet company.

My abs, or what currently passes for them, are groaning in protest, but I do my best, sweat trickling down my face, managing not to pant. This time my choreography bit in the end is not half bad and I feel nicely ironed out when class ends.



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